Baile

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Dia duit! My name is Santiago. Originally from Buenos Aires, Argentina, I moved to Ireland following a strong passion for Irish heritage, a subject I’ve been independently studying since 2017. I enjoy creating art and educational resources based off my research.

Professionally, I am a freelancer Graphic Designer, Illustrator and Communicator with a wide range of skills I put in service of businesses and organisations, whether in the realms of branding and identity, print and social media or communications management.

Heritage ⁊ Art

Artwork portfolio, blog articles and live talk videos.

Graphic Design ⁊ Communication Services

See graphics portfolio and comms services offered.

Since 2022, I’ve been a proud member of the Board of Directors of the Gaelic Woodland Project (Reg. Charity n° 20206178), where I also perform a vast array of operational and communication duties in support of our objective to create more opportunities for the people of Ireland to reconnect with their natural and cultural heritage. Find out more here.

Latest Instagram Posts

I haven't made one of these in a long while, so it was time to redo a Manannán from 2019. Delighted to help @caoimhinceol with his album art once again. Glioscarnach is the Irish word for glitter, sparkles or twinkles, which led us to discover the concept of the mighty disco-sliotar ✨️ It will always blow my mind that a place as violent and hierarchical as Iron Age Ireland so willingly took up Early Christianity; and that somehow, terribly un-Christian customs like cattle raiding kept going on (and probably encouraged) for hundreds of years. Fosterage in Gaelic Ireland, alongside less savoury customs as slavery and micromanaging hierarchy, was a pillar for the functioning of society. Traditionally, noble children would be fostered to other noble families between the ages of 7 to 14, though fosterage wasn't exclusive to the higher classes. This practice wove a series of kinship threads that ensured strong ties amongst different families within the same Túath, reducing inner tribal conflicts and strengthening loyalty bonds. Obviously I'm biased as the @gaelicwoodlandproject is so close to my heart and soul, but I am delighted with the process of this logo for our new branch of @cnagaeilge A fashionably late article about some really interesting things about the St. Patrick medieval propaganda and how I think it led to the planned militar AND ecclesiastical Norman invasion of Ireland. I can finally show off the design of the first album by @caoimhinceol which I'm honored to have provided the visuals to. I've so much respect and admiration for this artist who independently went and recorded his own album, and I want his version of 'Beidh Aonach Amárach" played at my funeral 😁✨️ I will never not-love the fact that Sheela-na-Gigs will always be there to remind us that we know and understand waaay less about Early Irish Christianity than many authors and scholars like to believe. Though it is widely known that Gaelic noble women had a surprising amount of rights that other societies didn't give women until hundreds of years later, it is also true that these rights and liberties depended vastly on who was her closest male kin. Be it father, brother, husband or King, her worth and freedoms were still tied in most cases to a man, even in the cases where she practiced a profession or owned her own land. For this and other reasons, it was indeed the fate of many Gaelic women to be used for political strategy, in many cases being passed around different husbands whichever way the political winds were blowing. A good example (although from a much later time) was Gormlaith (960–1030), a daughter of the King of Leinster. She was married to the Viking King of Dublin and gave him a son who became King of Dublin in his place. After his defeat by the emerging Irish King Brian Boru, she was given in marriage to Brian, and it is possible that before that she was also married to the then High King of Ireland, Máel Sechnaill (though the sources are less clear on this one). Regardless, the point is that this was not an uncommon cultural practice. A "tonsure" is the custom of partially shaving off an area of hair as a sign of spiritual devotion, and it was BIG during the Middle Ages. Different countries and religious orders had their own tonsure styles, so it was also a way to show your allegiance to your specific monastery or doctrine. The specific tonsure style of the early Irish monks is still a matter of debate: in modern times it is widely presumed to have been shaved at the front of a line going ear to ear through the middle of the head; but this was posited by a Benedictine scholar in 1703 and, according to more modern research, it goes against evidence from the 6th, 7th and 8th centuries.